A dimly lit exhibition space featuring large screens displaying historical images. Several visitors are present: one person sits on a black stool, while others stand and engage with the multimedia display. The walls are adorned with black-and-white photographs, creating a reflective and immersive atmosphere. A dimly lit exhibition space featuring large screens displaying historical images. Several visitors are present: one person sits on a black stool, while others stand and engage with the multimedia display. The walls are adorned with black-and-white photographs, creating a reflective and immersive atmosphere.

In 2016 Triad Berlin built, right opposite of the Brandenburg Gate at Pariser Platz, "The Gate Berlin", an immersive multimedia experience offering a unique 20-minute journey through Berlin history. The installation features an array of 87 screens with a joint resolution of 180 million pixels, as well as a 38 channel-surround-sound system. I was involved as editor, being responsible for all video footage used.

Exterior view of "The Gate Berlin" building, showcasing a modern facade with large windows and a prominent sign. The reflection in the glass features the Brandenburg Gate, while outdoor seating with empty tables is visible in the foreground. The sky is partly cloudy, adding depth to the scene. Exterior view of "The Gate Berlin" building, showcasing a modern facade with large windows and a prominent sign. The reflection in the glass features the Brandenburg Gate, while outdoor seating with empty tables is visible in the foreground. The sky is partly cloudy, adding depth to the scene.

Creative Direction: Alexander Bartneck. Direction: Julia Müller-Novak. Art Direction: Max Baberg. 2D and 3D Motion Design: Shuhei Sako, Nils Kreter, Marvin Bohm, Shuhei Sako, André Roboredo, Susann Stötzner, Felix Knoche, Ronny Traufeller, Daniel Büttner, Mingjun Sui, Marta Bala and Philipp Bremer. Production: Nastasia Hase. Dramaturgy Supervision: Peter Paul Kubitz and Stefan Richter. Art Buying: Ben Thöming and Lena Zieseniss. Technical Support: Christian Weißmann.

A dimly lit corridor with a prominent beige wall featuring the embossed text "THE GATE" and a silhouette of the Brandenburg Gate. To the left, there is a metal turnstile, and illuminated exit signs are visible in the background, indicating directions. The overall atmosphere is modern and minimalist. A dimly lit corridor with a prominent beige wall featuring the embossed text "THE GATE" and a silhouette of the Brandenburg Gate. To the left, there is a metal turnstile, and illuminated exit signs are visible in the background, indicating directions. The overall atmosphere is modern and minimalist.
A modern exhibition space features a large, immersive display made up of multiple screens. The walls are adorned with historical imagery, including scenes of wartime, tanks, and flags, creating a powerful visual narrative. Two people are seated on dark benches in the foreground, while other visitors walk around, engaging with the exhibit. The room is dimly lit, emphasizing the vibrant images projected on the walls. A modern exhibition space features a large, immersive display made up of multiple screens. The walls are adorned with historical imagery, including scenes of wartime, tanks, and flags, creating a powerful visual narrative. Two people are seated on dark benches in the foreground, while other visitors walk around, engaging with the exhibit. The room is dimly lit, emphasizing the vibrant images projected on the walls.